Earlier in the year, author Jedediah French and I were working on a book of essays by different authors. The book — The Art and Science of Initiation — explores initiation, esotericism, and spiritual development from different angles, though many are related to Freemasonry.
The cover art is one of my paintings, exhibited at the Henry Wilson Coil Library and Museum in San Francisco, California, in 2014.
The publisher is Lewis Masonic, and their blurb is below:
Freemasonry is the largest and most public of the philosophical fraternal orders, and at its heart lies the process of initiation for instructing new members. What exactly is the process of initiation? How did it originate? What changes does it seek to bring about in the candidate? How does it work? More importantly, why is it so integral to Freemasonry?
Through essays written by Freemasons, scholars of history, and mainstream authors and practitioners, The Art and Science of Initiation illuminates the theory and practice of various mystical/philosophical traditions and their processes of initiation. This book takes the reader into the heart of the initiatic experience. The method by which to enter into communion with spiritual worlds and reach higher levels of consciousness and soul maturation—i.e., initiation—remains as relevant for us today as it was for the people of antiquity. The Art and Science of Initiation brings together thirteen all-new essays from some of the biggest established and upcoming authors of Freemasonry, spirituality, and esotericism, featuring work by Angel Millar, Joscelyn Godwin, Mark Booth, Richard Smoley, Donald Tyson, Susanna Åkerman, Herbie Brennan, Richard Kaczynski, C.R. Dunning, Jr., Greg Kaminsky, Jeffrey S. Kupperman, Adam Kendall, and Timothy Scott.